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Leon Knight has burst onto the scene with “YES I DO,” a sassy funk-rock anthem that embodies the return of everything loud, raw, and unapologetically alive. Featuring DE’WAYNE, the track is overflowing with energy — electric guitars, punchy drums, and a groove that makes you want to dance and throw a mic stand across the room at the same time.
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Meet FieldHockey — the post-hardcore wrecking crew shaking up Tennessee’s underground. What started as a scrappy pop-punk side project in 2019 has evolved into a full-blown sonic assault built on grit, melody, and pure live energy.
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As the newest face of SID’s Vomit Face Records, Lil Bushwick fits the label’s mission: no boxes, no polish, no apologies. It’s raw art built from chaos — a mix of metal, rap, and experimental sound that feels both haunted and unstoppable.
“We Gone” isn’t just a single; it’s a signal. A transmission from the futures-past cliq that’s already arrived.
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When Machine Gun Kelly released Tickets to My Downfall in 2020, it split the internet in two. For some, it was a gutsy rebirth — for others, a career-ending betrayal. Fresh off a bitter feud with Eminem, critics and rap purists accused MGK of “abandoning hip-hop” and hiding behind guitars to escape the backlash. What no one expected was that the move would spark a full-blown pop-punk revival, transforming the sound of the decade.
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