El De La Tinta Expands His Regional Mexican Run With “Holanda” Alongside Sahir Montoya and Angel Cervantes
“Holanda” marks another step in El De La Tinta’s evolution, pairing the rising regional Mexican artist with Sahir Montoya and Angel Cervantes on a bélico corrido that gained noticeable traction online even before its official release.
The release is driven by a heavy, controversial lyrical style, very much in line with this subgenre of regional Mexican music, where artists place no limits on their songwriting. The track highlights rebellious attitudes, carefully crafted aesthetics, intense sounds, and meticulously designed branding.
The official music video features the artists surrounded by models in a dark, stylized environment, highlighting imagery associated with power and excess.
The single gained strong early traction ahead of its official release, generating more than 6,000 organic TikTok creations and quickly spreading across social platforms. The track by El De La Tinta, alongside Sahir Montoya and Angel Cervantes, also translated its online momentum into streaming performance, entering Spotify charts in Mexico and reinforcing its position within the emerging bélico scene.
El De La Tinta, whose real name is Ulises, belongs to a new generation of artists who understand the internet as a natural extension of their artistic vision. Although he grew up surrounded by music, his connection to regional Mexican sounds began during middle school, inspired by the authenticity of corridos tumbados. During the pandemic, he taught himself how to play guitar and turned his bedroom into a small home studio, where he began building his project.
Interestingly, his early career developed under a veil of anonymity, as he began uploading videos in which only his shadow was visible. Following the independent success of singles such as “Otro Loquerón” and the viral impact of “Ojitos Marrones,” his project gained new momentum and later led to his signing with FONO, a label under Universal Music.
In 2025, songs like “Fly,” “Aeternum,” and especially “Niña de Casa” marked an important phase in El De La Tinta’s artistic development, helping solidify his presence within the new wave of regional Mexican music through strong digital momentum.
With “Holanda,” El De La Tinta reinforces a trajectory that continues to move from online virality to a consolidated presence in regional Mexican music’s new wave.