Exploring Female Experience with Bossi and “Tell All the Other Girls"
Bossi Shot by Mark Leibowitz
Vulnerable, direct, emphatic, and unapologetically confrontational, “Tell All the Other Girls” marks the powerful new release from singer, songwriter, and activist Bossi. With unwavering conviction, the rising artist transforms her music into a rallying cry, fusing artistry with activism in the fight for women’s equality and dignity.
“Tell All the Other Girls” kicks off with “Kiss Me Goodbye,” a burst of intense punk rock that recalls the early 2000s with songs fueled by searing guitar riffs that had audiences headbanging with reckless abandon.
But this album isn’t all about rock. Songs like “Memories in the Rearview,” “Toxic Love,” “White Linen,” and “In The Quiet” stand out for their slower, calmer melodies, which reinforce the weight of the message the artist is determined to convey.
The album is composed of 13 tracks that move between poetry and the rawest rock. In each song, Bossi explores a different chapter of the female experience, from historical wounds to today’s battles against symbolic violence and toxic masculinity.
Among the highlights is “Run Baby Run,” which comes with a powerful music video set to be released this month, loaded with visual metaphors. Bossi appears bound in a straitjacket before breaking free, unleashing sharp, confrontational movements that embody defiance. The piece stands as a visceral cry of resistance, directly aligned with the fight for women’s rights.
Beyond music, Bossi has built a merch line that carries her message into daily life. Its standout piece, the “You’re Not the Boss of This” T-shirt with its bold, colorful uterus design, has become a symbol of feminist resistance and reproductive justice. Yet the shirt is just one piece of a much larger practice. Whether she’s commanding a feminist panel, smearing black lipstick across her mouth in a music video, or penning letters to her community from her studio desk, Bossi makes it clear: she isn’t just creating art; she’s rewriting the rules of what women are allowed to be.
Bossi Shot by Mark Leibowitz
“Tell All the Other Girls” is an album full of emotion, a demand for justice, and a cry that has long been ignored, now shaped by the artist through both poetry and rawness, with a sound that shifts between visceral rock and reflective calm.
With this project, Bossi opens wounds, challenges, shakes, and embraces, but also entertains, drawing influence from the best of pop rock that resonates across generations: one through nostalgia and another through the curiosity for fresh, daring proposals. As an activist, musician, philosopher, survivor, and creator, she makes one thing clear: there is no art without purpose.
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